The Great Gatsby: The Authorized Edition PDF Book by F. Scott Fitzgerald (1925) Download or Read Online

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The Great Gatsby: The Authorized Edition PDF book by F. Scott Fitzgerald Read Online or Free Download in ePUB, PDF or MOBI eBooks. Published in April 10th 1925 the book become immediate popular and critical acclaim in classics, fiction books.

The main characters of The Great Gatsby: The Authorized Edition novel are Nick Carraway, Jay Gatsby. The book has been awarded with Grammy Award Nominee for Best Spoken Word Album (2003), Long Island Reads (2002) and many others.

One of the Best Works of F. Scott Fitzgerald. published in multiple languages including English, consists of 153 pages and is available in ebook format for offline reading.

the great gatsby the authorized edition pdf

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The Great Gatsby: The Authorized Edition PDF Details

Author: F. Scott Fitzgerald
Book Format: ebook
Original Title: The Great Gatsby: The Authorized Edition
Number Of Pages: 153 pages
First Published in: April 10th 1925
Latest Edition: May 27th 2003
Language: English
Awards: Grammy Award Nominee for Best Spoken Word Album (2003), Long Island Reads (2002)
Generes: Classics, Fiction, Academic, School, Historical, Historical Fiction, Literature, Romance, Novels, Academic, Read For School, Young Adult, High School, Literature, American,
Main Characters: Nick Carraway, Jay Gatsby, Daisy Buchanan, Tom Buchanan, Jordan Baker
Formats: audible mp3, ePUB(Android), kindle, and audiobook.

The book can be easily translated to readable Russian, English, Hindi, Spanish, Chinese, Bengali, Malaysian, French, Portuguese, Indonesian, German, Arabic, Japanese and many others.

Please note that the characters, names or techniques listed in The Great Gatsby: The Authorized Edition is a work of fiction and is meant for entertainment purposes only, except for biography and other cases. we do not intend to hurt the sentiments of any community, individual, sect or religion

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I first read The Great Gatsby as a teenager; I imagine this is when most Americans encounter F. Scott Fitzgerald’s seminal work. Our teachers, rightly so, hail the novel as a masterpiece, so we read it under their influence, when we are young. We read it when we are bewildered and delighted at our changing bodies, flush with burgeoning sexuality, heady with the certainty of our ascendency, the prospect of our future greatness shining off in the distance like a great green star.

It is easy for young people to see themselves in Gatsby. His earnestness is familiar. His ambition, twinned with desperation, resonates with any teenager who wants to journey off to college or move states away for work, in a bid to escape the boundaries of their youthful life. Poverty made Gatsby ravenously desperate for difference, for possibility. Some, perhaps from similar circumstances, will recognize that and see themselves. Others will empathize because they feel driven away by parents who don’t understand them, by peers who underestimate or limit them, by the larger culture that ostracizes them for one reason or another. Their hearts will be, as Gatsby’s was, “in a constant, turbulent riot.” The “instinct toward . . . future glory” leads them out into the world. They burn to flee, to grow beyond their birth circumstances. In some ways, adolescence is one great flight.

Teen readers are especially understanding of Gatsby’s fixation on re-creating that moment in his life when it was most open to possibility, when he could become and do anything. When he believed that if he worked hard enough, he could remake himself. He could ascend to a different social class, a class where life seemed to be an enchanted necklace, each moment a pearl on an endless string. It seems to be a universal sentiment of youth: the belief that one can become anything, given the luxury of time and focus. Young readers walk down tree-lined Louisville streets with Gatsby and Daisy as the leaves fall. They see a ladder “mounted to a secret place above the trees . . . once there he could suck on the pap of life, gulp down the incomparable milk of wonder.” The young know that golden moment when anything can happen, and they understand its allure because they are living it.

By the end of the book, the reader’s empathy has burned to love. Young readers fall for Gatsby’s passi

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